Professor Luz María Sánchez holds a Ph.D. in Art from the Universidad Autónoma de Barcelona, she is an academic, writer and transdisciplinary artist. She is part of the area of Practical Research as research in the arts, Transdiscipline, and Sound (PiaTS). She is a member of the National System of Researchers SNI level 1, a member of the National System of Creators of Art SNCA, and is part of the Executive Committee of the Samuel Beckett Society in England. She is a Professor at the Department of Arts and Humanities at the Universidad Autónoma Metropolitana (UAM) Lerma Campus, and has been a visiting professor at the University of Barcelona, Spain (2019, 2020, 2021), University of Lodz, Poland (2021), the Art Academy of the University of Bergen, Norway (2021), the Art Institute Chicago School of Art, USA (2021), University of the Arts London UAL, England (2020), Aalborg University, Denmark (2018), among other institutions in Europe and the Americas.

Professor Sanchez was Head of the Department of Arts and Humanities (2015 to 2019) at the Lerma Campus of the UAM, director of Canal 22 Internacional (2009-2013), and director of Radio Universidad de Guadalajara (2008).

Her books as author include Sonar. Navegación localización localización del sonido en las prácticas artísticas en el siglo XX, UAM/Juan Pablos Editor, 2018; Samuel Beckett electrónico: Samuel Beckett coclear, UAM/Juan Pablos Editor, 2016; Epifanías Tecnológicas: Samuel Beckett y las máquinas de inscripción y manipulación audiovisual / The Technological Epiphanies of Samuel Beckett: Machines of Inscription y Audiovisual Manipulation, bilingual publication, Fondo Nacional para la Cultura y las Artes (FONCA)/Futura Textos, 2016; and Aproximaciones a la Nueva Narrativa Jalisciense, Universidad de Guadalajara/Fondo Nacional para la Cultura y las Artes (FONCA), 2000. His book chapters include "Sounds [That] Are Not. Is there any time left?", Ryszard W. Kluszczynski (ed), in Towards a Non-Anthropocentric Ecology: Victoria Vesna and Art in the World of the Anthropocene (English/Polish), LAZNIA Centre for Contemporary Art, 2020; "The making of a nomenclature: José Iges on Radiophonic Art", Pim Verhulst and Jarmila Mildorf (eds), in Radio Art and Music. Culture, Aesthetics, Politics (English), Lexington Books, 2020; "Vis. Force[in]necessary_4. Artistic practice and communities immersed in search processes for victims of forced disappearance in Mexico," Ana Paula Sánchez Cardona and Luz María Sánchez Cardona (coord.) in Formas de resistencia: Siete experiencias de escucha y denuncia en las prácticas artísticas, UAM/Juan Pablos Editor, 2020; "una imagen no para los ojos hecha con palabras no para los oídos// an image not for the eyes made with words not for the ears," Israel Martínez, Pilar García (eds) in Reverberaciones. Art y sonido en las colecciones del MUAC | Reverberations. Art y Sound in the MUAC Collections, bilingual publication, UNAM, 2017; and "Vis. Fuerza (in)necesaria", Benítez Dávila, Mónica (coord.), in Comunidades y contextos en las teorías y prácticas artísticas contemporáneas, UAM/Juan Pablos Editor, 2015. Of note is his publication "Intermittent Space: affective sonic constructs" in Unlikely Journal for Creative Arts, Jordan Lacey (guest ed.), Issue 7. La Trobe University, The University of Melbourne, Victoria College of the Arts VCA, 2020.

Exhibitions of her research-creation results in national and international museums include 12 solo exhibitions, five two-person exhibitions, and more than 35 group exhibitions, among them at OK Centre/Prix Ars Electronica, Linz (2020 and 2021); WRO Art Biennial, Wrocław (2019); Museo Universitario Arte Contemporáneo MUAC (2019); Museo de Arte Moderno, Mexico City (2018); ZKM Center for Art and Media, Karlsruhe (2017). He received two honorable mentions from the prestigious Prix Ars Electronica award for his works Vis. Force [in]necessary_3 (2020) and Vis. Force [in]necessary_4 (2021).

She is founder of the Beckett-Mexico initiative, and co-founder of the Red Ecología Acústica México [REA_MX] and the Red de Investigación Artes Ciencias Humanidades y Ciudadanía ACHC of the UAM. She is the curator of transdisciplinary congresses among which highlights her participation in POM Politics of the Machines -Intervención Ambivalent Machines-, September, 2021, Berlin, Germany; RE: SOUND. Sound, Media and Art - Theories, Histories, Practices, University of Aalborg, August 2019, Aalborg, Denmark; I and II International Meeting of the Acoustic Ecology Network Mexico REA_MX, 2019 and 2020, CDMX; I and II International Meeting Beckett Mexico, 2019 and 2020, CDMX; IV International Congress of the Samuel Beckett Society, November, 2018, CDMX.