Professor Claudia Mosqueda Gómez has a degree in Sociology from the Universidad Autónoma Metropolitana (UAM) Xochimilco Campus, Master in Science and Arts for Design from the same Campus. She has specialized in Sociology of Higher Education at UAM Azcapotzalco Campus and in Art and Culture for Citizenship at the University of Valladolid. She studied the Ph.D. program in Social Sciences at UAM Xochimilco Campus (Mexico) and holds a Ph.D. in Philosophy from the Universidad Autónoma de Madrid (Spain) with Cum Laude.

She is a Professor and Researcher attached to the Department of Arts and Humanities and a professor in the Bachelor's Degree in Digital Art and Communication. Head of the Area of Studies in Art, Science and Technology [EACT]. She has been the coordinator of the Editorial Committee of the Division of Social Sciences and Humanities of the UAM Lerma Campus.

She has published and presented authored books and various articles and papers in national and international events on Art and Philosophy, Sociology of Art, Phenomenology of Art, and Hermeneutics, all from the perspective of contemporary discourses of Digital Art.

Current research interests within the Department of Arts and Humanities are in (a) understanding the production of the artistic languages of Media Art from the event of its present, starting from philosophical and, specifically, genealogical thought schemes that generate contributions for the understanding of the artistic discourse of the present; (b) Aesthetic and phenomenological turn for the understanding of the work of Virtual and Interactive Art, a current research project that aims to describe, understand and interpret the aesthetic and phenomenological categories of art that serve to understand the sensitive implications of the production of interactive and virtual art. In this sense, it is necessary to open new veins for an open and alive thought of the aesthetic, phenomenological, and artistic categories that allow to re-originate spaces and discourses in the ways of making, thinking, and producing the works of technological art, conceptually complex, aesthetically playful and phenomenologically propositive of unprecedented perceptual and corporal experiences.

Some publications from the last five years:
-Mosqueda, Claudia. (2023) "FROM VISUAL TO AUDIO-TACTILE: STUDY OF THE INTERFACE AS A SPECIES" en Lars C. Grabbe, Andrew McLuhan, Tobias Held (Hg.) Beyond Media Literacy. Büchner-Verlag, Marburg, -Mosqueda, Claudia. (2023). Estudios y posturas de Arqueología de Medios, Claudia Mosqueda Gómez Coordinadora. Juan Pablos y UAM Lerma Campus 2023
-Mosqueda, Claudia. (2020) “Inmersión: Aproximaciones desde el cuerpo intermedio-quiasmo” en Mosqueda, Claudia y Olivares, Edmar. (2021). Realidad dela Virtualidad, Virtualidad de la Realidad. México: Juan Pablos Editores y UAM Lerma Campus.
-Mosqueda, Claudia. (20020) “La fantasía perceptiva: una mirada fenomenológica a la experiencia inmersiva” en Mosqueda, Claudia y Olivares, Edmar. (2020). Espacio inmersividad: “miradas desde la transversalidad filosofía-arte-ciencia-tecnología. México: Juan Pablos Editores y UAM Lerma Campus.
-Mosqueda, Gómez. (2020). “Bauen: proceso de construcción de sociabilidad” en Bedoya, Deyanira y Caballero, Aarón (coordinadores). (2020). Bauen: Hacia la construcción del diseño desde una visión social y humanista. México: UAM Cuajimalpa Campus.
-Mosqueda, Claudia. (2019). Del taller Bauhaus al laboratorio Media Art espacios abiertos de creación y colaboración. Revista An@litica, México: UAM Lerma Campus.
-Mosqueda, Claudia. (2019). La materialidad e inmaterialidad en el arte digital: conceptos clave para comprender su inmanencia. Revista de Humanidades. Universidad de Costa Rica.
-Mosqueda, Claudia. (2018). Interpelaciones entre el arte, el diseño y la sociedad. México. UAM Lerma Campus y Editorial Juan Pablos.

Research projects:
Research Project approved by Divisional Council. Event and complexity: a philosophical and epistemological reading for the production of media art. 44th session. January 2016. Resolution 44.7 Research project approved by the Divisional Council. Aesthetic and phenomenological turn for the understanding of Virtual and Interactive Artwork. Session 99. October 2019. agreement 99.4